Completely, because it’s going to be on two albums and I’m only going to be playing contemporary work written in homage to Messiaen: Tristan Murail, Jonathan Harvey…”. There’s a diagnosis of “functional dystonia”, but the problem is deeper, stemming from the disjunction between the pianist's introverted nature and his growing fame: “There was a phenomenon of fear, of strong rejection. For as long as we don’t try to break this, we won’t be able to widen classical music audiences.” He is concerned at the ageing of audiences, of their being developed only within an overly restricted social class. This product includes GeoLite2 data created by MaxMind, available from, https://bachtrack.com/files/164481-1bertrand-chamayou-marco-borggreve-048-2.jpg, https://bachtrack.com/files/164482-bertrand-chamayou-marco-borggreve-025.jpg, https://bachtrack.com/files/164483-bertrand-chamayou--c--marco-borggreve---warner-classics-7.jpg, https://bachtrack.com/themes/bachtrack2013/mastheadlogo.png. We’ve been tardy about dealing with this, but there’s still time to try to do something.”, But what to do, exactly? After four or five CDs, I starting getting annoyed, simply because people started referring to me as a Romantic pianist.” The breaking point comes at the end of the 2000 decade, around the time of his CD devoted to César Franck: he can’t carry on playing. “When I started recording, I stayed within a restricted repertoire, around the composers of the 1810 generation. This surprising difference gets us into the heart of the matter. Radio audiences: France Inter and RTL are the stations most listened to by the French, On Twitter, Bertrand Chameroy mocks the flop of his columns in "TPMP", Bertrand Chameroy joins the morning of Europe 1, Bug of the 13 hour newscast on TF1: "What are we doing? “Fundamentally, I think that one of the choices that have been made by many performers and promoters (with me in the front row) is to have spend decades faithfully reproducing formats that have stopped evolving: the piano recital and the symphonic concert have frozen in their form. In pictures ... an untold story about the twisted Dubai Bridge, Rainforest destruction on the rise in 2020. Artist-in-residence at Radio France last season, he is now artistic director of the Long-Thibaud-Crespin Competition and has just taken up the reins at the Ravel Festival in Saint-Jean-de-Luz. We meet in Paris, a stone’s throw away from the Grands Boulevards, in a brasserie chain where the coffee is excellent at all times of day. 16 talking about this. My game plan is to position myself as an agent of that scene – if possible, a major agent – to represent the different influences rather than to separate them.”, So he’s excluding neither the heritage of Boulez nor that of Bryce Dessner – his next album will open with a Dessner piece “in pure E flat major. After four years alongside Cyril Hanouna in the  Touche pas à mon poste program  between 2012 and 2016, the host joined Philippe Vandel's Culture Médias program on Europe 1 from August 24. In other words, Chamayou has turned from a musical prodigy who doesn’t practise much into a competition director who isn’t all that bothered by who wins the prize. All these projects stem from a real frustration at having abandoned composing. The recorded repertoire also contains Mendelssohn, Schumann, Liszt… but it’s not all that wide, considering that in concert, Chamayou is as comfortable playing the classics (Mozart and Beethoven a few weeks ago) as contemporary music (Michael Jarrell last May). His years of apprenticeship pass in a flash at the highest level, the pianist being “literally swept away” by the musical current, dragged to Paris by his teacher at the Conservatoire, Jean-François Hessier. We’ll be creating a new structure bringing together the festival and the Ravel Academy.”, Chamayou has recorded Ravel. “I’d love to. At this point, yesterday’s Chamayou meets today’s Chamayou and casts his eye on tomorrow. Bertrand Chameroy, in June 2015. So there we are, something has clicked.”. 187 tusind Synes godt om. After all, the most important thing in a competition isn’t who wins the first prize: you can’t predict the future… What matters is that talent becomes visible. Voici sa réponse ! Bertrand Chameroy, Actor: La semaine des 4 jeudis. For the young Chamayou, the process of international competitions wasn’t a drawn out one. See you Monday https://t.co/egGHkfO7xY. “I’m getting to forty years old. “I felt that I had to try to see what could be renovated or done differently. ], Our privacy policy was last updated on Friday 31 January 2020, “I’m getting to forty years old. I started composing very early, from about 9 or 10, and I was writing in the style of Messiaen, orchestral scores as big as this” – he mimes the size of a giant score, with an embarrassed "eyes-too-big-for-mouth" look. At the time, I wasn’t really working at it”, he confides. It marks the beginning of a reconquest that will last a decade: Phoenix-like, Chamayou is still following multiple paths (chamber music, occasional period instrument work) but changes manager, develops his international career and “starts to feel legitimate” playing with an orchestra. “It’s going to change. And don’t imagine that he was diligent at practice: “I didn’t have in any way this young prodigy thing, this competitive urge to become the strongest and most perfect.” it's an attitude that hasn't changed. Great return of Bertrand Chameroy in the media landscape! The Turkish pianist wants a grounded relationship with music, and isn’t afraid to put the hard miles in to get there. Bertrand Chameroy joins Europe 1 for the start of the 2020 school year - PJB / SIPA Great return of Bertrand Chameroy in the media landscape! Touche pas à mon poste! "Bonjour La France" du lundi au vendredi 10/12h sur Europe1 Fan page. Bertrand Chameroy is an actor and writer, known for La semaine des 4 jeudis (2014), Golden Moustache (2012) and 6 à la maison (2020). “It’s going to change”, he repeats. L'écran de veille par Bertrand Chameroy : 10H08 à 10H11 le Lundi, Mardi, Mercredi, Jeudi, Vendredi - Culture médias - Podcasts et replay audio & vidéo “There was an upright piano at home and I was totally happy spending all my time on it, messing around. There is a plurality of styles that we haven’t seen before, with the boundaries between them blurring; categorisation is becoming highly problematic. ", Possibly audience at Eurovision Song Contest because of Fieldlab test, Viewing figures Rooijakkers on the floor much higher by Jan Dulles, Emmanuel Macron commits and meets the French. "Bonjour La France" du lundi au vendredi 10/12h sur Europe1 Fan page. “I hated the environment and I still do.” Why, in that case, take on the torch of artistic director of that very competition, nearly 20 years later. Bertrand Chameroy on his way to France 2. With over 270,000 subscribers on her YouTube channel, she is the most watched young pianist of her generation. "I will not confine myself to classic TV programs, to expand to platforms like Netflix", justified the journalist quoted by Le Parisien. © 2010-2021 Bachtrack Ltd. All rights reserved. The post TPMP was not an easy one for Bertrand Chameroy. He set to work reconstructing himself. ", is a French live television talk show.It is broadcast on C8 and produced by H2O Productions. “I don’t remember it, but apparently I learned to read music in less than a month. First to watch over the cradle of the artist-to-be: the piano teacher who explained to his non-musician parents the exceptional gifts of their child – not in the narrow instrumental sense, but in general musicianship, not least being the disconcerting speed at which he learned to read a score. In march 2016, Bertrand Chameroy, chronicler of the issuance TPMP on D8 and protected from Cyril Hanouna, left the program, leaving behind him his colleagues angry.. It’s true that there’s a whole section of my career that isn’t so visible if you only look at the discography. 2020-02-18T19:59:43.631Z. He even attempted to return home two years later, to no avail. There will be Balakirev, Alkan, Lachenmann… I’ve been wanting to do this for a very long time, it’s a very specific piece of imagination, very personal to me, because I’m an insomniac.” Chamayou is also preparing to set out on a new very personal and very unusual path: “the next project, in 2022, is going to be devoted to Messiaen’s Vingt Regards. But I don’t know which end to start.” So my question remains unanswered. ", Greece: autopsy ordered after death of woman vaccinated with AstraZeneca, The 'sapiens' who lived in the Kalahari 105,000 years ago were already culturally modern, Covid vaccination schedule: groups and vaccines, Chocolate bunnies, green economic stimulus and Bitcoin infinite. He had slipped a piece by Mauricio Kagel into the middle of a 100% Beethoven programme: “Putting that piece in the middle of the concert was a real way of asking a question. Now that I’ve been able to spin my web somewhat internationally, I’m taking the initiative more often as regards my artistic choices.” The pianist feels the need for change. We spoke to the director of a magical short film who sees a girl meeting a very special piano. Healthy or not: are our eyes getting worse from all those screens? Track, analyse & audit your Instagram Account with future projections of real followers growth in professionally audited report by Rajat Jain using Free Social Media Auditor. "Bertrand has a good pen and a wit" confided Constance Benqué, boss of the News division of the Lagardère group in The Parisian. The Pierre Fabre pharmaceutical group victim of a cyberattack, The 1990s through the eyes of a teenager: what is the film "Masha" about, 75 years of WELT: Where women stand today - "Your weight, please ...! Very happy to find @ Europe1 and to join @ E1CultureMedias alongside @PhilippeVandel and his team! To understand the source of the gap between the man and his recordings, we have to take a trip into the past. After that, I could do any dictation exercise, however complex. It's wrong ! - BENHAMOU LAURENT / PJB / SIPA. Bertrand Chameroy, Pascale Clark ... Arnaud Lagardère's radio station finalizes its back-to-school scheduleBertrand Chameroy joins Europe 1 for the start of the 2020 school year - PJB / SIPA “Creating new music must be at the heart of the approach”: interview with Bertrand Chamayou By Tristan Labouret , 24 February 2020 We meet in Paris, a stone’s throw away from the Grands Boulevards, in a brasserie chain where the coffee is excellent at all times of day. The repertoire and the creation of new music is nothing more than a bit of added value. The solution, he thinks, can only come from one place: “in any domain in the arts, ‘youth’ rhymes with ‘contemporary’. That’s why I love residences, it lets you create that kind of experience, giving one a space in which to be creative. For his fortieth birthday, he will play forty commissions in a single recital. After four years alongside Cyril Hanouna in the  Touche pas à mon poste program  between 2012 and 2016, the host joined Philippe Vandel's Culture Médias program on Europe 1 from August 24. Contemporary music reflects a world that is heterogenous, multicultural, with scenes emerging everywhere, in the Middle East, the Far East, South America. "We want to embody modernity", assured Constance Benqué . That’s true of dance, of theatre… and it’s not just the repertoire. It’s going to be a transition album, completely a concept album, composed entirely of lullabies. (TPMP), literally "Don't Touch My TV Set! His show only lasted one season : the former protege of Cyril Hanouna, Bertrand Chameroy suffered a dismal failure with his show UFO.. Team Bertrand Chameroy. On the phone, he had lauded the quietness of the location and its bistrot cuisine, the neat summary marking him out as a regular customer. When I think about contemporary music and the fact that fundamentally, I had wanted to be a composer… It’s almost what excited me the most! Very early on, I wanted to do world premieres, but seeing the reluctance attached to this, I beat the retreat to less controversial projects.” Staying on well-beaten pianistic tracks, his inner musician chokes. And Saint-Saëns, which won him a coveted Gramophone “Recording of the Year” a few months ago. The morning will be punctuated by the host with a daily column entitled "The screensaver" and whose mission will be to decipher a TV moment from the day before. The most acclaimed French pianist of his generation talks about the early years of his career and of his unusual projects for the future. Chamayou wants to be a bringer-together or, rather, someone who consigns turf wars to the past: “today, the stakes have changed. I’m planning to take a clearer direction in future.”. It works fine, the balance is good, but it’s never questions. Revoir la vidéo Le confinement de Bertrand Chameroy - 6 A La Maison - 12/11/2020 sur France 2, moment fort de l'émission du 13-11-2020 sur france.tv L’édito de février : Berlioz endeuillé, L’art quasi total des Prégardien et de l’Orchestre de chambre de Paris, Dessner en blues, Rouvali pathétique : nostalgie à la Philharmonie. Page Fan de Bertrand Chameroy le coin-coin de l'émission Touche pas à mon Poste ! Bertrand Chameroy, Boulogne-Billancourt, France. ", "13 hours" by Jean-Pierre Pernaut: a fireworks display of editorials for the last week, Justine Planchon, Director of Programs and Development at Troisième Œil, JT from Julian Bugier: "Yes, I love it, it's my darling, my 13 hours", Covid: "This time it's over, the good life is over! "Bonjour La France" du lundi au vendredi 10/12h sur Europe1 Fan page. “I come here a lot – my cousin works there”, Bertrand Chamayou confirms, smiling at the (new) server, who was sure he had seen him before. Among the new talents of the fall, Pascale Clark is also settling on the air and will be at the helm of the program “En balade avec” in which an artist will deliver his secrets to the host. Having reached the finals of the Long-Thibaud at the age of 20, he stops. The music of Liszt, which had first brought him to the attention of a wide audience a few years earlier both in recordings and in concert, is what will bring him back into the saddle. But not on C8 this time. In 2012, Les Années de pèlerinage follow the Transcendental Studies which he had released six years earlier. I can’t avoid asking: will the child who “messed around” à la Messiaen” on the family piano return one day to composing? Read about Nekfeu et Bertrand Chameroy... copains d'enfance sans le savoir by Europe 1 and see the artwork, lyrics and similar artists. He's also spent considerable time on the artists that he’s spotted during the early rounds who didn't make it into the media spotlight. Musicologue diplômé du CNSMD de Paris, Tristan Labouret collabore avec de nombreux artistes et institutions musicales (Printemps des Arts de Monte-Carlo, Orchestre national d'Île-de-France, festivals de musique de chambre de Deauville, Just Classik Festival, La Symphonie de Poche…), menant des activités de médiation à destination de tous les publics. It is rebroadcast several times during the day. There has been a lot of that this year, the general level was very high”. “Creating new music must be at the heart of the approach”: interview with Bertrand Chamayou, https://bachtrack.com/interview-bertrand-chamayou-fevrier-2020, https://bachtrack.com/22/270/list-published/25762, https://bachtrack.com/files/119670-photo-labouret-bachtrack-2.jpg, https://bachtrack.com/files/164508-bertrand-chamayou--c--marco-borggreve---warner-classics-7.jpg, The making of a miracle: a Christmas video from Müpa Budapest, Tiffany Poon: “Music is not about music, it’s about life”, To add a comment, please sign in or register. Bertrand Chameroy is an actor and writer, known for La semaine des 4 jeudis (2014), Golden Moustache (2012) and 6 à la maison (2020). You never see a 35-minute world premiere in the second half of a concert! So there we are, something has clicked. Since I could read music to such a high level, I immediately wanted to make sense of the scores that were far too difficult for my fingers: sonatas by Beethoven, Ravel, even Messiaen! Bertrand Chameroy Instagram followers statistics shows that the account has 7K followers count with 5.61 percent engagement rate. To renew the way we think about concert programmes, as in his “carte blanche” at Radio France last season. The discussion begins with such simplicity that it’s hard to imagine that I’m in front of the most acclaimed French pianist of his generation, cultivated by the most prestigious institutions. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack. 277 Followers, 61 Following, 1 Posts - See Instagram photos and videos from Compte Fan Bertrand Chameroy (@bertrandchameroy) tv. In the time since the interview, this concert has been cancelled; to avoid confusion, we have removed this reference. France, 4th country in terms of vaccination against Covid? Creating new music must be at the heart of the approach.”, He talks about other ambitious projects “to fill in the gaps in his world view” and makes a statement that sounds something like a credo: “One of the most beautiful things one can do is to solicit new creations and truly to become a link in the history music by being oneself a key interpreter in the development of the instrument’s repertoire.” Chamayou therefore intends to multiply his number of commissions, “making precise choices, from composers I like, but staying very eclectic at the level of musical sensibility”. 547 taler om dette. The young Japanese pianist takes an approach to performance informed by a keen interest in historical recordings, influential teachers and mentors, and a natural curiosity. [Update on 24th February 2020: a former version of this article referred to a concert at the Ravel Festival with the Czech Philharmonic. 89 likes. The almost exhibitionist side of going on stage just wasn’t in my nature!”. He’s added this latest hat just three weeks ago and is quick to demur: “the next festival will be a transition: the structure isn’t yet what I’m looking for. The ex-protégé of Cyril Hanouna will participate in the pilot of the new media program presented by Daphné Bürki. The show, presented by Cyril Hanouna deals with media news and is broadcast from Monday to Friday at 8:30 pm. At nearly 40 years old, the artist has started casting a self-critical eye on his pianistic career: “I’ve gone with the flow of what I’ve been offered, rather than making my own choices. For now. Back to the TV box for Bertrand Chameroy! Then, the invitations started to flow: from the newly minted Deauville Easter Festival, where he brushes shoulders with Renaud Capuçon and Nicholas Angelich, to the Capitole de Toulouse, to which he will make a prodigal return, seventeen summers later, to play as a soloist under the baton of Michel Plasson. One creates a tipping point, moving the listener into another dimension. Pianist Tiffany Poon is one of those rare phenomena that come along once in every generation to upend our preconceptions. The morning will be punctuated by the host with a daily column entitl... Great return of Bertrand Chameroy in the media landscape! For a long time, Chamayou didn’t need to make any choices, thanks to “the luxury of being watched over by fairy godmothers”. Call Pernaut! The start of the season promises to be promising for the radio station which, heavily affected by the Covid-19 crisis, recorded a very low audience share over the period from May 11 to July 5 with some 2.4 million listeners in average. Camille Combal voit-il toujours Bertrand Chameroy ? For sure, it’s a career path that’s hard to grasp the sense of. After leaving Cyril Hanouna and even C8 in 2016, the columnist bounced on W9 as a host with more and above all less success.
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