Check out Malorie's intro to the story. She advised Malorie to study Business. 2019 is a great year to be a Noughts and Crosses fan and we're excited...

This month's book of the month is Malorie's Thief! Writing the book was both a painful and a cathartic experience for her. They agreed that if this didn’t work, she would have to return to work because they couldn’t afford to live on just one salary. Malorie’s fiftieth book was the multi award-winning Noughts & Crosses which focus on the frustrated love affair between a black girl, Sephy, and a white boy, Callum.

Malorie Blackman has written over seventy books for children and young adults, including the Noughts & Crosses series, Thief and a science-fiction thriller, Chasing the Stars.Many of her books have also been adapted for stage and television, including a BAFTA-award-winning BBC production of Pig-Heart Boy and a Pilot Theatre stage adaptation by Sabrina Mahfouz of Noughts & Crosses. Yet she never encountered characters in the books she read which were like her, saying “in the world of literature I was non-existent”.Malorie told us that her careers advisor at school had quashed her dreams of become an educator, saying “black people don’t become teachers” and that Malorie would never pass her English A Level. The much anticipated 5th novel in the Noughts & Crosses series is available... Malorie Blackman covers varying issues in this sensational novel – from mental health and suicide, alcoholism, extremist groups, repressive education systems, entering adolescence and forbidden love – all induced or connected in some way to the overarching theme of racism. Malorie has now published over 80 children and young adult novels, picture books, short stories; television scripts, original TV dramas and a stage play, The Amazing Birthday. Malorie has always had a love for science and almost did chemistry as an A Level (before changing to English).Aoife Hayes, a Creative Access intern at Heyday films thanked Malorie for representing black women in her books. Welcome to my website! After just one term studying a Business degree, Malorie was bored senseless by lectures on price elasticity and in-elasticity and gave up her place. Nought Forever picks... Malorie was interviewed on the Graham Norton podcast on BBC Radio 2.

The story focuses on two main characters, Stephy a Cross, and Callum a Naught. And as hostility turns to violence, can Callum and Sephy possibly find a way to be together? The Noughts & Crosses series are still my favourite books of all time and showed me just how amazing story-telling could be STORMZY I grew up reading her. Within a couple of weeks she “knew this was it.” An early tutor, who saw Malorie’s initial reluctance to show her original work, said to her “you got to shit, or get off the pot” and Malorie stills lives by that mantra –“if you’re going to do something, just do it.” She also advised “if someone gets in your way, don’t let them stop you, find a way to get round them.”She knew it was time to pursue writing when she began to have abnormal euphoric feelings every Friday and found that something was always going wrong with her on a Sunday night, whether it was a headache, sneezing, or something else!

Malorie said that the first novel she ever read by a black writer, was The Colour Purple by Alice Walker, which she read when she was 21 years old.Njoki Mahaiani, a current intern at the BBC had met Malorie when she was 11 when the author had visited her school. Loving Noughts & Crosses? Why can’t we be vulnerable?”Malorie was kind enough to sign books and take dozens of selfies with our interns – no doubt some of her biggest ever fans! . Malorie will be returning to the world of Noughts & Crosses in Crossfire, Book 5... Malorie said that a number of things that happen to Callum in the novel, had happened to her as a child. and Thief! She was told by booksellers and publishers, that she would sell more books if her books featured white children on the covers. Malorie said “she doesn’t even start a book until the characters are speaking to her” and that they need to “pull her in” to the book.Malorie came under pressure to write about race and ethnicity, but for her, “having a black child on the front cover” made more of a political statement.